Home Theater & Projection
Projector, processor, screen, and ambient light dialed in as one system — from single-chip DLP to tri-laser flagships.
You invested in a premium display. I align it to the reference standards Hollywood masters on — the picture you actually paid for.
TRUSTED BY — EA SPORTS · DISNEY · GOOGLE · KENNEDY SPACE CENTER · UNIVERSAL · HOLLYWOOD PRODUCERS
QUOTES ANSWERED WITHIN 1 BUSINESS DAY
Years calibrating displays
Level III certified
Labs certified professional
EA SPORTS · DISNEY · GOOGLE · HOLLYWOOD PRODUCERS · KENNEDY SPACE CENTER · UNIVERSAL
The same measurement discipline I bring to studios and screening rooms comes to your living room.
The goal isn't a better picture. The goal is the right picture. Even premium TVs and projectors leave the factory tuned for a retail showroom — pushed blue, oversaturated, too bright — not for your room. Calibration walks every parameter back to the reference standard the film was mastered against, so the display gets out of the story's way.
DRAG THE HANDLE — FACTORY MODE TO CALIBRATED.

ΔE measures the distance between the color shown and the color intended. Below 1.0, the difference is invisible to the human eye. That's the target.
Six service lines, one standard. Whatever you watch on, I measure it, calibrate it, and prove it with a report.
Projector, processor, screen, and ambient light dialed in as one system — from single-chip DLP to tri-laser flagships.
Perfect blacks, accurate white point, and HDR10, HDR10+, and Dolby Vision tracked to your panel's real peak luminance.
Game-mode accuracy in SDR and HDR without input lag — VRR and 4K120 verified, console and PC.
Editing suites, broadcast monitors, and signage — multi-display matching and compliance reporting for color-critical work.

Every calibration I perform uses research-grade instruments and professional software to measure and adjust your display to reference standards — not to personal preference, and never by eye.
You've probably seen the forum threads promising "best settings" for your exact model. Here's the problem: no two panels — even the same model, built the same week — share the same errors. Someone else's numbers are someone else's calibration. I measure your panel, in your room, on the inputs you actually use, and adjust it to the standard. Then I hand you the report that proves it.
See what the director saw.
Films are graded on reference monitors in darkened mastering suites. Calibration brings your display to those same standards — so the story reaches you exactly as it was approved.
Tell me what you watch on and where. I'll reply with a recommendation and a transparent quote — usually within one business day.